mh.t023 - Jeremy Gluck and Dave Fuglewicz - Manifesto (EP)

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Jeremy Gluck revient sur myhand.thanx avec un nouvel EP, "Manifesto" en collaboration avec Dave Fuglewicz. Les 3 mixes présents témoignent d'un travail du son radical, sans compromis. Sur sa collaboration avec Dave Fuglewicz, voici ce que Jeremy écrit (l'occasion aussi de (re)découvrir Tapegerm) :

Jeremy Gluck is back on myhand.thanx with a new EP, "Manifesto" in collaboration with Dave Fuglewicz. The 3 mixes consist in a radical, uncompromised work on sound. About his collaboration with Dave Fuglewicz, here is what Jeremy writes (at the same time, discover Tapegerm!) :

Dave Fuglewicz's Manifesto: Modesty and Mastery

I don't recall when exactly I joined Tapegerm, a loop collective now past its ten anniversary. It was about that time I was neck deep in mixing 'Div Joyvision', the album I made for and with Toronto spoken word ace Michael Dent and which comprised in the end mixes made from material provided by Tapegerm.

Having plundered Tapegerm for everything I needed, I turned finally to putting something back, in the form of spoken word recordings – grainy at best thanks to my poor equipment and technique – I archived and sent up to be shared amongst the many mixers.

The standard of work at Tapegerm is always high; artists such as Mental Anguish, Omnitechnomatrix and others cut the mustard with a machete. But it was one mix in particular that one day captivated me. “Sleep On the Edge”, a dispeptic reflection in what-for? Time, created by Dave Fuglewicz. Amidst the quality out of control across the 'germ, Atlanta-based boffin Dave's mix stood out, a raw, tilted and highly intuitive reading of my slanted, surly text.

So began years of collaboration, mix upon mix, bringing us lately to a trilogy, Saneworld, and a set of radical sound adventures with Dave in complete control: Manifesto. Working with Dave is a joy. As is the case with numbers of online electronica creators, Dave is mostly unsung but revered and treasured by a handful of fellow artists and aware aficionados. I can take little credit for the work we do together; my contribution is a trigger, but Dave does ninety per cent of the hard thinking and hard work, and without him I would not have done some of the most accomplished music of my zigzag career. Vision and precision ever his watchwords, meticulous in execution and with an empathy for my words that has unfolded with a natural and extraordinary ease, Dave's making of Manifesto is yet more evidence of a great artist lost in (cyber)space. Find him here now.


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mh.t022 - Jeremy Gluck - Love Is Awake In Me Like Water (EP)

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It is a real honour for myhand.thanx records to release this beautiful EP for two reasons : first, the tracks are awesome, strange collages, noisy bits added to melodies and cinematographic references. Second, Jeremy Gluck is part of a certain History of music that many of us listen of have listened to... He started his career with The Barracudas, whose album "Drop Out" is considered seminal. In 1986, he released his first solo album "I knew Buffalo Bill" with Nikki Sudden and Epic Soundtrack. Goddess of rock Lydia Lunch covered his track "Burning Skulls Rise"... Jeremy also worked with Mick Harvey and Eric Debris. IN 2008, he released "Victim of Dreams."
Jeremy's work is now more focused on ambient / experimental music, spoken word and sound poetry, without forgetting or going too far away from rock'n'roll.
The "Love Is Awake In Me Like Water" EP confirms this artistic orientation. Gluck pays homage to Terence Malick's "The Thin Red Line" film about the Guadalcanal carnage. Mixes 1 and 2 are Jeremy's work on sounds, words, soundscapes and shapes. Mixes 3 and 4 are Slave Labour's remixes, and they're stunning, and groovy.
Hope you'll enjoy this EP as much as we do!


C'est un véritable honneur pour myhand.thanx records de sortir ce bel EP pour deux raisons : Premièrement, les morceaux sont de magnifiques et étranges collages, des parties bruitistes mélangées aux mélodies et aux références cinématographiques. Deuxièmement, Jeremy Gluck fait partie d'une certaine Histoire de la musique, musique que nombre d'entre nous écoute ou a écouté... Il a commencé sa carrière avec The Barracudas, dont le premier album Drop Out est considéré comme un album phare de la scène rock (70s-80s). En 1986, il sort son premier album solo "I knew Buffalo Bill" avec Nikki Sudden et Epic Soundtrack. La déesse du rock Lydia Lunch reprendra même son morceau "Burning Skulls Rise." Jeremy a également travaillé avec Mick Harvey et Eric Debris. En 2008, il sort "Victim of Dreams."
Le travail de Jeremy Gluck est aujourd'hui plus centré sur la musique ambient / expérimentale, le spoken word et la poésie sonore.
L'EP "Love Is Awake In Me Like Water" confirme bien cette orientation artistique. Jeremy rend hommage au film "La Ligne Rouge" de Terence Malick, à propos du carnage de Guadalcanal. Les morceaux 1 et 2 sont le fruit du travail de Gluck sur les mots, sons, les paysages et formes sonores. Les morceaux 3 et 4 sont des remixes de Slave Labour, étonnants et groovy!
Nous espérons que vous apprécierez cet EP autant que nous!

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VIDEO : TWO MONTHS OF WATER MIX (by Slave Labour)

mh.t018 - Mutant Beatniks - #6 My Brain Stalk is Milky

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"My Brain Stalk is Milky" est le 6ème mix proposé par Shaun et ses Mutant Beatniks. Un moment quasi-mystique, qui ressemble à un songe, avec ses pensées incongrues, ses transitions illogiques, certes, mais qui nous mène là où chacun le désire...

"My Brain Stalk is Milky" is the 6th mix given by Shaun and his Mutant Beatniks. It's an almost-mystic moment which sounds like a dream, with its incongruous thoughts, its illogical transitions, but which leads each of us to the place we want to reach...

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mh.t015 - Mutant Beatniks - #5 Dometic Twilight of an Illusionary State

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5ème mix de la série. Le plus étrange, le plus froid, hypnotique...

5th mix of the series. The strangest, the coldest, hypnotic...

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mh.t014 - Mutant Beatniks - #4 Please Punk Interlude Into Repose

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Et voici le 4ème mix des Mutant Beatniks! Interlude punk, ode à la musique live, aux parasites et à l'électricité statique, Shaun & Co. redent un bel hommage au bootlegging.

Here is the 4th mix by Mutant Beatniks! Punk interlude, ode to live music, parasites and static, Shaun & Cie. pay a great tribute to the act of bootlegging.

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mh.t011 - Mutant Beatniks - #3 Tape Memories in the Ghost Machine

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3ème mix de la série proposée par les Mutant Beatniks, Tape Memories in the Ghost Machine est un éloge à la bande magnétique, aux parasites et aux ghost tracks.

3rd mix from the series offered by the Mutant Beatniks, Tape Memories in the Ghost Machine is an elegy to the magnetic tape, to parasites and to ghost tracks.

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mh.t008 - Mutant Beatniks - #1 Little Shadows on the Mix Tape

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Une nouvelle collaboration pour myhand.thanx records! C'est avec un immense plaisir que nous vous proposons "Little Shadows on the Mix Tape" des Mutant Beatniks. Un collage de divers mixes et autres sons glanés au fil des années par ce collectif à géométrie variable venu de Bath, UK. Aujourd'hui composé de Shaun Roberts, Dennis Ward et Roj Crompton, le projet Mutant Beatniks existe depuis 1986, et propose des créations sonores électroniques, proches de la musique noise, des collages, et de la musique expérimentale du XXème siècle. Autant inspirés par Cabaret Voltaire, John Foxx, Stockhausen, Pierre Henry que par les bruits de leur environnement, le trio compose, (dé)construit formidablement une musique empreinte d'instinct, d'inventivité et de réflexion sur la création. "Little Shadows on the Mix Tape" est le premier mix d'une (longue?) série proposée par Mutant Beatniks.

Here's a new collaboration for myhand.thanx records! It is with great pleasure that we offer you "Little Shadows on the Mix Tape" by Mutant Beatniks. A collage of varioous mixes and other sounds gathered throughout the years by this flexible collective coming from Bath, UK. Today, it consists in Shaun Roberts, Dennis Ward and Roj Crompton. Mutant Beatniks exist since 1986 and propose electronic sound creations, close to noise music, artistic collages and 20th-century experimental music. Inspired by Cabaret Voltaire, John Foxx, Stockhausen, Pierre Henry as well as by the noises of their surroundings, the trio extraordinarily composes, (de)constructs a music fraught with instinct, inventiveness and reflexion on creation. "Little Shadows on the Mix Tape" is the first mix of a (long?) series proposed by Mutant Beatniks.

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Des albums précédents peuvent être téléchargés ici /Former albums can be downloaded here
BLAZEN (2009)
TRANSGRESSION (2010)